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Then the Lightness Leaves and I Become Heavy Again (Stiff Slack Japanese Import)

by Mt. Oriander

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1.
I was looking at pictures of you when you were younger Your hair was long and your smile was so big Your dress was short- bright floral patterns gave way to knobby knees I didn't know who you were sitting next to, but they seemed so happy and full of life- images of people I never knew, names you'd never mentioned, or stories you'd never told me It struck me then how many different lives we all lead and either all at once or slowly, we change One step pulls someone closer, another pushes them away A series of words misspoke, a birth, a death, a move, or the passing of time When I was younger, I thought to carve my name in stone and build pillars with my bare hands You were right there beside me I loved you, once
2.
Mostly, I've stopped trying to force myself to go to bed early Sheets become fire, heat washing over me like my body is embarrassed of the things I could never be (productive, punctual, good at upkeep...) A sound machine makes me think that I'm hearing things as white noise morphs into a nonsensical phrase on endless repeat and no amount of will power can bend the words to other beings I refuse to look at the clock so time stands still as though nothing and everything is happening all at once Then, my brain tells me it is time to get stuck on something else- like how, when I was 19, I felt depression swallow me so whole that it took parts of three years away from me and almost caused me to fail out of college Maybe how I thought I was doing the right things, but never actually listening Or how no matter how old my body gets, my mind is still the same and one day, if I'm lucky, I'll feel like a young man trapped in an old man's body So I stay up and distract myself instead, and wait for sleep to come to me
3.
Mostly, I've stopped trying to force myself to go to bed early Sheets become fire, heat washing over me like my body is embarrassed of the things I could never be (productive, punctual, good at upkeep...) A sound machine makes me think that I'm hearing things as white noise morphs into a nonsensical phrase on endless repeat and no amount of will power can bend the words to other beings I refuse to look at the clock so time stands still as though nothing and everything is happening all at once Then, my brain tells me it is time to get stuck on something else- like how, when I was 19, I felt depression swallow me so whole that it took parts of three years away from me and almost caused me to fail out of college Maybe how I thought I was doing the right things, but never actually listening Or how no matter how old my body gets, my mind is still the same and one day, if I'm lucky, I'll feel like a young man trapped in an old man's body So I stay up and distract myself instead, and wait for sleep to come to me
4.
I feel the snow snap underneath my weight, a series of footsteps in an otherwise unbroken canvas of white as light from buildings pours out over plump flakes of snow, throwing colors into the night sky like fireworks I stop to catch my breath The air is still and I can hear every single move I make, as though I am the Grand Marshal of a holiday parade crashing down busy streets, heralding a jungle of noise so dense that you can't even think Now stationary, I hear nothing Unmoving, thoughts move in like, "Did I just waste another year without getting anything done?" or "How long until I feel a sense of purpose again?" Suddenly, I am afraid to turn around, as though my failures have taken shape Snow continues to fall A car passes by and the spell is broken I turn around and see nothing It's getting colder so I start moving again Christmas lights warm a window I pass by, and it makes me feel homesick
5.
You don't pull your punches like you think you do your life's a mess, dear I think you shouldn't be throwing stones from your house up on the hill you are looking to die on as artificial light pours through giant bay windows like a lighthouse at night warning ships at sea to keep passing by I don't need you to fix me Lay your hands down and let yourself feel again Your problems won't disappear just because you are focusing on mine So let go
6.
Daylight spilled through the living room window after your father cut back the bushes in our front yard, their six-year growth now done hiding us from passers-by We both remarked how much more natural light came in and how it made the room feel bigger and brighter I asked why we had let it grow so out of control and you said it was just something that happened little by little and before we knew it, we had forgotten how it used to be I think that's true of most things When I stopped writing, it was only supposed to be for a short break, but little by little, days began to grow into weeks, then months, then years As if awakened from a great slumber, I had found myself covered in overgrowth I was ensnared in a job that I hated that had sapped my desire to do anything else but get by Still foggy, I tested my hands for strength and began to slowly cut back each branch away from me, their heavy growth now done hiding me from passers-by
7.
Early spring, Michigan Walking down streets without sidewalks snow caked gray from dirt and car exhaust Winter hanging on like a once-proud prize fighter putting his body through hell out of pride or fear of losing either the only thing he ever loved or the only thing he was ever good at My breath still visible, clinging to me like wet clothes My lungs ache from eagerly swallowing frigid air as though it was my last breath on Earth I tell myself that the sting from breathing is a rite of passage- a sort of ritual that celebrates the changing of seasons or rebirth I have nowhere to go My feet trudge on, heavy from the potential that the new year brings is already dying on the vine The sun is bright It is reflecting off the snow and I am blinded
8.
9.
I used to live here Pale yellow walls once marked the names and ages with lines drawn in pen to chart our growth like the room was a living document, before it was painted over and made new again A house is more than four walls There’s a history in its bones that reach deep, deep down like roots or a crypt In our bedroom, my brother and I once fought with tube socks as boxing gloves before he knocked my loose tooth out In her room, my younger sister and I held "surf competitions"- feet planted on pillows as we jumped on her bed Here, my older sister painted "Wishing Wizards" to sell door to door (necklaces made with clay heads of gray-haired men, their hats entwined on string) The local newspaper covered it Outside, playing catch with our dad as wind rustled through leafy trees Our mother baking Easter cookies to decorate- yellow frosting for chicks, brown for bunnies Now sold, as my parents' move closer by I like to think that the markings are still there, hidden under layers of paint like a secret history
10.
I'm guessing you are still exactly the same as you were when we were growing up In truth, I wouldn't know for sure- it's been years since we've talked But even before that, the only thing we had in common anymore was a shared past of when we were better friends (like an old house still standing in a sea of new suburban builds) What was the death knell? Was it the years you didn't listen and you only talked about yourself? Or was it how little that you knew about me because you thought you had me all figured out? It was not my fault you put me up on a pedestal, no longer allowed to be seen as myself as you slowly built an image of something else you wanted to be I was not the only person you made for a statue or a monument When your image of me finally crumbled, you burned down the house like an effigy
11.
"We can skip the wedding," he tells you "We can just go to the reception. It'll be fun, we don't have to stay that long" Things are just getting serious, so you say yes and you go And now you’re sitting in a pew of a church that must bring in more money than a small country as you watch the man you like watch the woman you now realize he loves walk down the aisle You panic, you feel trapped. The decorum of a room full of strangers demands you stay put like a tree with heavy roots watching life grow around it, helpless to do anything but observe Out of body, as quiet as you can be, you get up without saying a word and press yourself so small that you slip through the room and out of the hall "Love is too precious to waste it on settling", you mutter to yourself You catch your breath, collect yourself without looking back and you go
12.
We said our goodbyes like it was the last thing we would ever do on this earth, as morning came swimming in (the sun meandering through a calm sea of blue) Too often when things end, we have no idea that it will be for the last time- the last thing you say to a loved one before they die, the last time we meet as friends, the last time you ever set foot here again They haunt you But this time I knew We put all our things into a little room, they gathered dust until I was ready again My words still ghosts without bodies
13.
Mighty Guard 02:51
You wanted everyone to leave you for dead so you could start all over- reinvent yourself, cut all the bad parts out so you locked the door whenever we came around and pretended that you weren't home We did not make it easy for you, we called and wrote and talked to your brothers, we scoured for clues of what went wrong We stopped by your mother's house and wrote letters to your dad asking after you We should have probably given you space to feel things out and to ask for help if you wanted it But I was a sledgehammer to your sanctuary I wanted to tear it all down, brick by brick to pull you from the wreckage I came to your mother's house and found you at last, alone and unwilling to talk, and tried to force my help on you We talked and you feigned friendship to get me to leave while I thought I made a breakthrough We haven't spoken since then but I hope that you are well
14.
I put my hands inside my pockets I am nervous and uncomfortable I look down at the ground, I look everywhere else but at you and wonder why you do the things you do to feel loved

about

Japanese Import from Stiff Slack, special edition with two bonus tracks. Purchase at www.stiffslack.shop

credits

released March 10, 2023

Artwork by Takako Takarai (saashiandsaashi.com/en)
Released by Stiff Slack (www.stiffslack.shop)

Full liner notes:
Mt. Oriander is Keith Latinen. He played most of the things on this album, but he also asked a bunch of his friends to play on it too.

Here is a complete list of guest musicians on the album:

On “The Dark Parts of the Map Are Places You Have Not Yet Visited,” and “What We Have is You,” Matt Hull played trombone and trumpet.

On “If This is Sadness, I Don't Like It One Bit,” Brandon Lutmer and Warren Franklin both sang and Mat Halliday played the shaker.

On “A Drawing of a Bird that You Have Never Seen Before,” Warren Franklin sang.

On “We Should Get Out of Here Before Something Goes Terribly Wrong!,” Andrew Stefano played synthesizer and second guitar on the intro. Mat Halliday played the tambourine and some synthesizer too.

On “You Were Part of Me Before We Came Here,” Cathy Latinen sang.

On “If Only Something Would Go Right for a Change,” Colleen Dow played cello and Ana Hughes Perez played violin.

On “Rare Frog Coin,” Mat Halliday played piano and synthesizer. On “Lilliput Steps,” Ben Hendricks sang.

On “We Are Not in This Alone,” Brian Carley sang and Nick Kwas (wandertalk) played piano. Mat Halliday played the harmonium.

On “You Don’t Have to Keep Trying Anymore,” Elliott Green sang, Mat Halliday played additional guitar, and Jacob West played/programmed the synthesizer.

On “Mighty Guard,, Mat Halliday played piano and synthesizer.

On ”You Can't Use the Fire Exit Because You're Not Made of Fire,” Mat Halliday did some drum programming.

The album was recorded on random days from 2019-2022. Recorded at All Glory to the Hypnotoad Studios by Mat Halliday in Williamston, MI. Mixed by Mat Halliday in Hazel Park, MI and mastered by Dave Downham at Gradwell House in Haddon Heights, NJ. All songs © 2022 Mt. Oriander/We Are People Here, We Are Not Numbers (ASCAP).

The gorgeous artwork was created by Takako Takarai. She is so talented! Play Saashi and Saashi games!

Thanks to Tak at Stiff Slack for releasing this, Takako for the artwork, and Mat and Dave for their studio work. Additional thanks to my family and friends and everyone who had a hand in recording this thing. All social media links and music at MtOriander.com. Stay safe! <3<3<3

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Mt. Oriander Williamston, Michigan

Mt. Oriander is Keith Latinen! He used to play in Empire! Empire! (I Was a Lonely Estate) and he plays in Parting now.

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